JOHN GREER
JOHN GREER

Montréal City Sirens, 2009

Aluminium, 4 Elements; Each figure: 71” x 27” x 8” (180cm x 67cm x 20cm)
[Photos © Raoul Manuel Schnell]

 

This piece is conceptually referring to Greek mythology, recalling the sound of the sirens. Calling us to go further, to pursue, even if the song is muted.

The piece is composed of 4 life-size full back figures that do not have a front, but appear to be shells. They are sourced from existing archaic Greek sculpture, here used symbolically to represent the four cardinal compass points, implying journey and search. North, South, East and West. The seduction of the unknown causes us to push boundaries and to move forward – personally and as individual parts of a culture, a society.

East and West are no longer terminal, they have become infinite directions. Global consciousness has forever shifted our orientation, echoes of Ulysses.

Bus Shelter in Halifax with retroActive poster!
Thinking Back to Gertrude and Henrie, 2015
Installation View retroActive with Threshold, 2015; Civilization, 1990/91; PaperMoney, 2012
Wait of Water by John Greer, 2014 Bay of Fundy Detail of Wait of Water, October 9th, 2014; retroActive tied up, tide down, looking back across the bay where the piece was first realized in 1972
National Gallery of Canada : THE PROUST QUESTIONNAIRE
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© John Greer